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What creative life do you want for Sydney?

What kind of creative life do you want for Sydney? We are asking everyone in our community this question as we develop the City of Sydney’s first Cultural Policy. 

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We will be using your comments along with our research to develop our vision for a bold, innovative creative Sydney. Consultation will run until May 31st 2013.

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So many brilliant ideas!

M says:

Hi, Sydney needs a giant trampopline park.  Please see link http://www.greenvilleonline.com/article/20130423/BUSINESS/304230046/State-s-first-extreme-trampoline-park-coming-Greenville?nclick_check=1


Malinda says:

Night markets for local designers, performers and artists. A designated space for street-artists. More localised venues for artists of every background including screen. Support the existing not-for-profit local venues such as the red rattler. More ways for Sydney-siders to know what is happening on a regular basis. More free events-for example a movie night similar to the other current outdoor cinemas-movies where the audience can get involved i.e rocky horror picture show. I'm sure there's more we can think of?!


Wez says:

Im tired of hearing, reading and seeing "artists" calling out for more funding... An easier pathway to success and credability in sydney! Im a sydney artist within a popup program, like any artis knows... Its a hard slog.... But no harder than setting up and managing any other business! Having a business mentor opened my eyes to this fact... Perhaps there needs to be more "real world" business based arts mentoring?? Bring on the pop up revolution!!

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Brilliant ideas from our submissions

Brilliant ideas from our submissions

Hego says:

Micro sponsorships between $100-$1000 for local streetartists to complete projects that provide utility to local residents of some sort A roving marching band like detroit has one Fines for landlords that leave their properties vacant for more than 6months A serious short term plan for events at white bay power station


Alex says:

Yes the transport should keep playing. When at a friends house till late we always think 'let's get outa here and hit the clubs' then we remember the last train is at 11.30pm or 12am then we say oh no cab way too expensive let's just stay in! Same thing with the way home there should always be public transport 24/7 at least on the weekends it will encourage people to stay out more, and increase revenues of local business's. let become a 24 hour city!


Sandra says:

As a practising artist and resident in the Kings Cross area for over 20 years it concerns me that artists are being priced out of living in the inner city. Ive been fortunate to have a really understanding land lord and one that has mindfully kept rent reasonable thus in a way supporting myself and 2 other artists that rent off him. Therefore I propose that is it possible for rents controlled for artists in the city ... and that the owners of property get discounted council rates???? Also residences built or created for artists from all forms to live for a year or two in the city..(for free or discounted rent) These artists being from all stages in their practice and from disciplines such as visual, writing, actors, performance based, film makers, ect... and not just being beginners but also mid carrer or established. Its really important for the creative soul of Sydney that the city can be reflected and represented by artists living in and amongst the city itself. My fear is that that is becoming prohibitive as more and more artists are priced out of the inner city with the increase in rents and home prices. Kings Cross and its surrounding "village" once home to a incredible collection of artisans is loosing its cultural storytellers and their energy and diversity and interpretations... thus a residency program is desperately needed!!!  Also the wonderful Pine Street program could perhaps be replicated and supported by The City of Sydney in the inner city eastern suburbs? Many thanks, I have also submitted ideas regarding theatre at the recent forum.. thankyou for these opportunities. 

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More ideas!

More ideas!

Triin says:

Whenever I go up the Center Point Tower, there are so many unused rooftops I can see in the CBD. Could City of Sydney turn some of them into nice and safe beautiful little simple gardens? A couple of benches and a bit of grass would create little havens for people to escape to, provide peace of mind and after that creativity will flow! One great example of such a garden is on the rooftop of NSW Parliament House.
 

 
Liza-Mare says:
 
Comments on the City of Sydney Cultural Policy. In building on all of the great work that Council has done in raising the visibility of the Aboriginal people in Sydney, Council policy should be consistent across all Council policy documents in its up front recognition of the original custodians of the Sydney Area as the Cadigal people of the Eora Nation. (Sustainable Sydney 2030 Community Strategic Plan (2011) states: The Council of the City of Sydney acknowledges Aboriginal and Torres Strait Islander peoples as the traditional custodians of our land - Australia. The City acknowledges the Gadigal of the Eora Nation as the traditional custodians of this place we now call Sydney). 03 Scope – ‘defining’ culture Council policy should be consistent across all Council policy documents in their acknowledgement of Aboriginal culture as the oldest living culture in Australia. (Sustainable Sydney 2030 Community Strategic Plan (2011) states The Council of the City of Sydney recognises Sydney’s Aboriginal heritage and contemporary Aboriginal and Torres Strait Islander cultures).  Who are we talking about when we say ‘the cultural sector’?- Whilst the city states in the draft Cultural Policy that the “cultural offering of Sydney self-evidently comprises the work of many diverse cultural and commercial organisations” the Council policy should be consistent across all Council policy documents in their acknowledgement of the contribution made by the Sydney Aboriginal arts and cultural sector. Aboriginal arts and culture is fundamental to the social, cultural and economic well-being of the City. 04 The value of culture. Council policy should be consistent across all Council policy documents in their recognition the vital role that Aboriginal arts and culture plays in the lives of Aboriginal society and is an important element in the fabric of the Aboriginal and wider communities.

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Here are some of your suggestions:

Here are some of your suggestions:

Faye says:

In comparison to other modern cities Sydney can be rather inferior when it comes to accessibility for people with disability, this includes public transport, physical access to buildings and other attractions. All cultural events in Sydney should have to consider accessibility issues and meet particular criteria.


Michelle says:

I am a 33 year old who left Australia at the age of 18 due to the lack of a great music scene. I have recently returned after 12 years of American life and I must say, I do lament the lack of OPTIONS here in Australia. First of all, many many venues that used to be no longer are. Secondly, the promoters in Australia do NOT aim high. And when we DO have festivals like Vivid, Sydney amongst others the selection of Black artists covering the spectrum of funk, soul, dancehall are close to none unless they are on a boutique label. I do not go out to those performances because I do not want to spend money on artists I do NOT enjoy seeing. However, I am more than happy to spend top dollar and get the best seats on the rare occasion when someone I like comes here. Bilal will be here in May, but I am still stunned that artists like Jill Scott, Maxwell, D'Angelo etc continue to NOT be toured down under despite a devout fanbase. Considering the response Erykah Badu got when she came her (sold out shows) Australian audiences are ACHING for EXCEPTIONAL live music played by EXCEPTIONAL musicians but we continue getting shortchanged. I love live music, I truly miss living in cities like Los Angeles and Atlanta that are teeming with amazing concerts every week. Here I am lucky if I go out 2/3 times a year...no options, no diverse, quality options at all :/

 

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Check these brilliant ideas out!

Check these brilliant ideas out!

Alaska says:

Whenever I'm walking around I always see big canvases for more street art. Sydney only really puts up art for special occasions like the Biennale, etc. It would be good to see some more spaces (besides museums) that are permanently dedicated to street/installation art (possibly a new piece every few months or so). I feel like our city has the potential to embody such a vibrant, creative atmosphere, like Melbourne has become. My tutor at university is a new media artist, he works a lot with electronics, for example at the Gold Coast (or Perth I don't remember) he has an interactive electronic installation piece installed in one of the parks, and it has been up for many years. I myself would jump at the opportunity to paint a mural in our city, I feel like a majority of people write most street art off as 'vandalism' and it has created a very negative stigma.


Scarlett says:

Stop trying to be like Melbourne. You'll always come runner-up in that contest. Just be Sydney. I was born there, and go there once a year. I have been raised in Melbourne. Every time I go back to visit Sydney I love the change, and that it's different from Melbourne. If you're generalising it to say 'creative life in SYDNEY' rather than a certain area, it just seems like you're copying Melbourne. Because Melbourne is and will always be THE creative state in Australia. Though this is the case, we Melbourne folk are certainly jealous of the beaches Sydney has. Embrace your beach history...stop trying to come second in a race that has already been won.  I'm sorry, I'm not meant to be coming off as a whiner, It feels quite strange that I'm even writing this, never emailed something of complaint before. But please consider what I am saying. Thank you for your time.

 

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Even more brilliant ideas!

Even more brilliant ideas!

Fantastic ideas keep coming in. To have your say join our forums or send us a submission. Here are more highlights from feedback received so far.

John says:

It would be great to have a Hub for creators of musical theatre in this town. Similar to what this group did on a temporary basis. http://www.newmusicals.com.au


Mike says:

A Sydney idea incubator / project room: a residency based think tank that invites artists, architects, scientists, programmers, engineers, philosophers, designers to get together to solve a problem or collaborate on a project, removed from the distractions of everyday life (rent, day job, etc). Residents by invitation or application process. A regular South East Asian night food market (possibly in Campbell St, Haymarket?) just like you would find in Bangkok / Hanoi.  A 'Make and Do' space - a space that has large size equipment for making artworks that is otherwise unaffordable / difficult to access for the average person (eg welding equipment, printing presses). Space could work similar to a library, use of equipment can be booked by the hour, supervised to avoid OHS issues. The disused tunnels in St James station - surely something cool could happen down here? A concert program?


Joan says:

Funding, training and opportunity for arts critics (theatre, film, visual art, etc) will cultivate and encourage enriched discussion, creation, and consideration of Sydney's cultural community. Help critical voices.

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More brilliant ideas

More brilliant ideas

More great ideas coming in all the time! Read below for a taste of what people are telling us:

Marie says:

I'm French and we have in Paris something called "Nuit Blanche" that features a full night of creative performances and show by night everywhere around the city. Emerging artists are supported too. It's as well an inititiative to open museums all night long.
 

Rick says:

something like this! http://www.peoplesmarket.com.au/ carriageworks does a great job, too. More please.


Holly says:

Get rid of pokies in pubs, have more places for live music for unsigned artists and also underage artists. The music scene in Sydney is prehistoric in comparison to other global cities


Gavin says:

Assistance in linking theatre/performing artists with disused spaces that could be converted into performing venues. Strong partnerships between the City and artists could help to see areas and buildings activated and give artists access to much needed spaces to perform in and add vibrancy to areas of Sydney through the activation of these under used spaces.

 

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Your Brilliant Ideas

Your Brilliant Ideas

Terrific ideas are coming in. Please take the time to enjoy the suggestions so far.

Christo says:

I run a small creative space in Darlinghurst. There have been some great council policy initiatives such as the Oxford St Cultural Quarter Action Plan, and the recent Music Taskforce, however there is still a big gap between this policy and the actual planning department approval process, ie the planning laws are not yet aligned effectively to the cultural policy. I'd like to see inner city planning laws amended to reflect the cultural policy initiatives so we can become a true vibrant 24 hour city in these inner city precincts like Tokyo, London, and New York.


Elizabeth says:

Like most people, I enjoy the large events put on by the City and other arms of Government but my main interest is in the SMALL creative ideas of local artists, craftspeople, musicians, singers, children and performers. All we need is somewhere to BE creative.  There are fewer and fewer old buildings for artists to have their studios and, in my village - Pyrmont - we have nowhere to put on a show or concert. My view is that there is too much focus on the City providing the art and culture, and not enough on providing opportunities for ordinary people to BE creative.    We don't want to be passive receivers, we want to be doers.

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Case study 1: Adelaide theatre passport scheme

Case study 1: Adelaide theatre passport scheme

From 1977-92, The Adelaide Festival Centre ran a 'Theatre Passport' scheme. Each year, theatre 'passports' were made available to every high school student in Adelaide listing all the performing arts events programmed in that year by the state's major funded companies and festivals. Students could purchase a ticket for $1 from a pool of unsold seats made available by each of the presenting companies.

High school students from that time remember it as unforgettable exposure to the performing arts, building their awareness and knowledge of theatre an in many cases, fostering a lifelong love of the arts.

As the seats were sold on the day from unsold stock, there was no lost opportunity cost for the participating companies and the cost of the program was largely contained to marketing collateral and publicity expenses.

See more case studies in our Discussion Paper.

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